“We often find ourselves balancing all life has to offer, juggling between our personal and professional lives, between our drive for success and our desire for serenity. The trick, as Dr. Seuss shows us here, is to get the balance right.”







The Balance of Trade
$3,580 AUD Unframed
$4,480 AUD Framed
Mixed-Media Pigment Print on Canvas
Authorized Estate Edition
Image and Paper Size: 91.4 cm x 62.2 cm
Limited Edition of 850 Arabic Numbers
155 Collaborators’ Proofs
99 Patrons’ Collection
5 Hors d’Commerce
2 Printer’s Proofs
unframed
framed
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NB Please allow at least 12-14 weeks for make and shipping from the U.S.A. publishers. Framing is our custom brown moulding.
HARMONY IS A BALANCING ACT
A life falling in to place requires a delicate effort. From career to romance to everything in between, as we figure our way through… we learn a thing or two about balance.
Ted Geisel, aka Dr. Seuss, understood that life is a continual balancing act. He learned early in his career the importance of keeping the plates spinning, the cups balanced, and the scales tipped just right.
IN MOMENTS OF TRANSITION… BALANCE IS THE KEY
FURTHER INSIGHT
He had been shopping his first children’s book and just landed a deal to publish “And To Think That I Saw It On Mulberry St” with Vanguard Press. But success was far from guaranteed, and Ted had to balance between the advertising and editorial work he had been doing with the dream of being a successful author.
Around the time this painting was created, Ted was in the midst of a transition. He had staked his claim as a successful editorial cartoonist and highly sought-after ad man. That success afforded him more creative freedom then most during the Great Depression and Ted took full advantage.
DECIPHERING THE PAINTING
Ted’s painting appeared in Stage Magazine in 1937 under the headline, The Phantom of the El Morocco. It was a fantastical, surrealist story Ted had written about the dizzying, late-night experiences at the El Morocco. In the painting we see the many links to this famed club and a nod to the culture of the time:
The zebra striped booths that were the famous visual icon of the club
The waiters balancing plates and glasses
The famous El Morocco maître de with his signature tuxedo (he was both host and gatekeeper into this famed world)
And finally the shirtless central figure balancing all of this on his back…
Stage Magazine, 1937
It is unclear if this central character in the artwork is the El Morocco owner John Perona (featured below), or possibly a self-portrait of Ted who was balancing so many things himself at that time. Both men would do anything for those who supported him along the way, figuratively giving “the shirt off their backs,” while each was juggling an exorbitant amount of responsibility.
John Perona
Ted in his studio
“Shirtless, balancing everything, it seems to indicate the responsibility of it all while at the same time suggesting he would give the shirt off his back to support everyone around him.”
BALANCING LIFE AT THE EL MOROCCO
LESSONS LEARNED FROM DIZZYING HEIGHTS
New York in the late 1930’s was a confluence of many forces – prohibition had ended, the jazz age had given rise to an improvisational culture of music clubs, and in the midst of the Great Depression, the Art Deco movement was hinting at a bold future. Art Deco icons such as The Empire State and Chrysler Buildings were completed at the start of the decade and the Rockefeller Center’s gleaming new complex opened in 1939.
Amidst all of this was the famed club, The El Morocco. Celebrities of all stature congregated in owner John Perona’s zebra striped booths to drink, dance, and find balance in the midst of challenging economic times. Ted Geisel was there to absorb it all.
Bruce Cabot, Gloria Vanderbilt, and Rita Hayworth at the El Morocco, circa 1941
Salvador Dali at the El Morocco
Imagine The Balance of Trade featured prominently in your home.
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A LIFETIME OF BALANCING
SYMMETRY IS FOUNDATIONAL
We often find ourselves balancing all life has to offer, juggling between our personal and professional lives, between our drive for success and our desire for serenity. The trick, as Ted showed us throughout his life, is to get the balance right:
Advertising Business at a Glance
Here we see a striking similarity to Balance of Trade. This painting was done around the same time, when Ted was transitioning between his advertising work to a future as Dr. Seuss, the children’s book author.
Horton
Elephants appeared throughout Ted’s early paintings, later paving the way for his iconic character, Horton.
Horton taught us faithfulness and encouraged us to be good listeners, remaining open to even the smallest voices. Trusting in others and listening is key to collaboration, a balanced choreography laid out across the Balance of Trade
Yertle The Turtle
In 1950, Ted revisits the idea of balancing in his now famous book, Yertle The Turtle and Other Stories.
The stacked turtles in Turtle Tower and dangling gentlemen in The Balance of Trade demonstrate a similar predicament of balance.
The Cat in the Hat
Look at Me! Look at Me Now! – 1957 was a precarious moment for Ted, where he sat balancing between success or failure as he looked to change the way children learned to read.
Life’s a Great Balancing Act
Through to the end of his life, Ted revisited the idea of finding your balance, including the artwork Life’s a Great Balancing Act.
This important image can be found in his final book, Oh The Places You’ll Go.
With The Account Executive, 1930s
With Abduction of the Sabine Woman - Parlor Edition
With Turtle Tower
With Look at Me! Look at Me Now!
RELATED WORKS
Ted’s Deco Era paintings are some of the most sought after in the Art of Dr. Seuss Collection. They nod to the artistic and cultural trademarks of the time, influenced by the world’s bold outlook for the future:
I Wonder Where My Emma Is Tonight?
Abduction of the Sabine Woman
Horton Line Drawing
Life’s a Great Balancing Act
Antlered Animal Adoring Pink-Tufted Small Beast
Horton 70th Anniversary
Turtle Tower
Look at Me! Look at Me Now! - Diptych
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